The Slovenian Monument Scandal in Cleveland
The monuments to Ivan Cankar, Friderik Irenej Baraga and Simon Gregorčič in the Yugoslav Cultural Garden
Keywords:
American Slovenians, Cleveland, Ivan Cankar, Friderik Irenej Baraga, Simon Gregorčič, monuments, Peter LobodaAbstract
In 1930, the City of Cleveland granted some ethnic communities the right to use parts of Rockefeller Park at their own discretion. Slovenians decided that the Yugoslav Cultural Garden would become the location for a monument dedicated to the writer Ivan Cankar. At the beginning of 1933, the City of Ljubljana donated a cast of the Cankar monument, the work of sculptor Peter Loboda (1894–1952). Collecting voluntary contributions for raising a monument to Cankar did not go well. In September 1935, they raised a monument dedicated to Bishop Friderik Irenej Baraga. Just before unveiling the Cankar monument and the monument to Simon Gregorčič, they found that Cankar’s monument had been stolen from the city storehouse. The Catholic camp placed blame for the stolen monument on the socialists, who had endeavored to place the Cankar monument in the Slovenian National Hall. The Yugoslav Cultural Garden board commissioned a new statue of Ivan Cankar, which would be based on photographs of Loboda's monument, and executed by Rudolf A. Mafka, a Cleveland sculptor of Slovenian descent. The Cankar monument was unveiled on 25 July 1937.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Damir Globočnik

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).